He leaves Moses fate to Ramses. For I the Eternal your God am an impassioned God, visiting the guilt of the parents upon the children, upon the third and upon the fourth generations of those who reject Me, but showing kindness to the thousandth generation of those who love Me and keep My commandments. (Exodus 20:3-6). 1996-2022, Amazon.com, Inc. or its affiliates, What Are the Ten Commandments? The cue features interplay between the Imperial Theme and Moses Theme. Included is another 40 minutes of never-before-heard alternates, unused music and trailer cues! Overture Act 2 is a score highlight, which offers a stunning parade of Bernsteins themes! Slaughter Of The New Born We open darkly with the Tragedy Motif as we see Pharaohs soldiers slaughtering all newborn sons of the Hebrews. In Lord Of The Underworld a thankful Moses departs the throne room carried by the warmth of the Devine Theme 1. Score produced by Elmer Bernstein. More significant, however, are the differing approaches that the two systems take to the division of the text into verses. Lastly, DeMille insisted on historical accuracy and fidelity to the ancient texts, which included the works of Philo, Josephus, Eusebius, The Midrash and The Holy Scriptures. Hounds And Jackals reveals Nefretiri and Seti playing a board game (Hounds and Jackals). , Publisher Bernstein closes the dramatic scene with interplay of the Devine Theme 2, a joyous Exodus Theme. Court Dance features exotic dancing by a dance troupe in the throne room carried by a small ensemble of ethnic instruments. , Penguin Workshop; Dgs edition (October 10, 2017), Publication date We conclude with Drums where exotic nativist drums support the presentation of their tribute to Seti. Nefretiris Theme emotes as the scores primary love theme, which also serves as her identity, as well as an expression of her love for Moses. We see a grieving Ramses, who has lost his son; summon Moses, advising him that he is releasing the Hebrews. Below is the translation: You shall have no other gods besides Me.
in the public Torah reading, resembling the revelation at Sinai. The Red River features the first plague, where the waters of Egypt are turned to blood. The next cue is complex and shift scenes to and fro from Moses on Mount Sinai, to the Hebrews below. At Setis command the throne room doors open and Moses is brought forth in chains. Thanks for always putting in effort well beyond the requirements. Today (10 A.M. to 5 P.M.) the 47th conference will be held at Yad Ben Zvi Institute, 12 Abarbanel Street, Jerusalem, featuring presentations on a variety of aspects of Jewish music and its documentation by renowned researchers, including Gila Flamm, Israel Adler, Eliyahu Schleifer and Yefet Tsedaka, as well as composers Eitan Avitzur and Andre Hajdu. The Brick Pits opens with a progression of ascending chords, which create a religioso ambiance that ushers in the sad and toiling Hebrew Theme as we bear witness to their bitter lives as slaves. Into The Royal Barge Nefretiri finds Moses in the mud pits and orders him to be taken with her entourage to her barge. 1 (Source Music) (2:16), Bacchas Garden No. Shofar horns signal the alert, and the following fanfare the rousing of the Hebrews towards the sea. In some instances, this involves the subdivision of single precepts into multiple verses, such as the four verses that are assigned to the Sabbath. She is amused to find him caked with mud and Bernstein provides playful court music by small ensemble to support their progress. At 0:37 we segue into Dungeon in a scene change where a devastated Nefretiri bids Moses a tearful farewell. DeMilles favorite composer in Hollywood had always been Victor Young, and he was chosen to score the film. Young told DeMille that he could not undertake such a massive project and asked him to entrust the film to the young Elmer Bernstein, who had already been hired to write the dance music, songs, religious chants and fanfares. What Are the Ten Commandments? . Like any good musical rendering of a text, the cantillation reflects the meaning and logical structure of the sentence, and hence it should be viewed as an important form of textual interpretation. Matthew Schutz from Three Bridges, NJ wrote: I notice in Parshat Yitro two different trop [cantillation Jewish tradition celebrates the holiday of Shavu'ot as the anniversary of the giving of the Torah at Mount Sinai. We conclude with Mercy And A Tomb Of Rock with a noble horn laden declaration of Moses Theme as he comes to render judgment. As the scene continues, Bernsteins music speaks to the complex emotional dynamics at play with interplay of both Divine Themes, Nefretiris Theme when she recognizes Moses, and the Menace Theme. It emotes as a proud, masculine, and heroic major modal statement carried with strength by warm horns nobile. Interspersed are statements of the Hebrew and Menace themes. To support his ambitions, DeMille assembled a cast for the ages, which included Charlton Heston as Moses, Yul Brynner as Ramses, Anne Baxter as Nefretiri, Edward G. Robinson as Dathan, Yvonne De Carlo as Sephora, John Derek as Joshua, Cedric Hardwicke as Seti, Judith Anderson as Memnet, Vincent Price as Baka and John Carradine as Aaron. The scales were also used for music therapy, a different scale for every illness. Please try again. (LogOut/ Haaretz.com, the online English edition of Haaretz Newspaper in Israel, gives you breaking news, analyses and opinions about Israel, the Middle East and the Jewish World. Change), You are commenting using your Facebook account. Moses responds by throwing open the tent curtain to reveal the glory and magnificence of Setis new great city. We hear a joining of her theme and a dark rendering of the Imperial Theme as Ramses summons his troops and resolves to pursue and annihilate the Hebrews. Sorry, there was a problem loading this page. To support DeMilles desire for authenticity, Bernstein chose to infuse his score with a number of ethnic instruments to provide the necessary musical colors.
https://hdl.handle.net/2027/dul1.ark:/13960/t5bc4820s?urlappend=%3Bseq=234, https://guides.library.duke.edu/c.php?g=893067&p=6422053, https://idn.duke.edu/ark:/87924/r48k78j11, https://idn.duke.edu/ark:/87924/r4pv6fv36, David M. Rubenstein Rare Book & Manuscript Library, Lowell and Eileen Aptman Digital Preservation Fund, This work is protected by United States copyright law and is made available subject to an assertion of fair use or another relevant limitation or exception. This did not detract from my enjoyment or listening experience. DeMille was not interesting in a simple retelling of this story and took great pains to flesh out his characters and personalized the story. At 0:57 in Fanfare, imperial fanfare announce the arrival of Seti and Ramses who Moses ignores, which evokes Setis consternation. Bernstein supports the imagery with the films opening fanfare and Imperial Theme horn fare.
In one of his responsa, he was asked to explain the mysteries and apparent inconsistencies of the two different cantillation systems. After chapter 6, it starts to suggest that the Bible is not credible and that there is no proof of many things in the Bible. As Ramses seeks to counter the plague by pouring sacred water he fails, and his theme sounds with futility. To hold them in my hands and read his personal notes on the score was a treasured moment, which I will never forget. Heroic horn fare sounding his theme and the Divine Theme 2 carries the day. to the main index of Eliezer Segal's articles, Breuer, Mordechai. The Divine Theme 1 is major modal, and emotes with a more stirring and evocative spiritual emphasis, which speaks to Gods wisdom and paternal love for the Hebrews. The film opens with grand heraldic fanfare, emoting the A Phrase of Moses Theme, which informs us that an epic story will soon unfold. Word Of God reveals Moses accepting the Divine mandate to liberate his people. We work hard to protect your security and privacy. It is horn laden and anthem like in its articulation, embodying the power and might of the Egyptian state. Thus, when they are read according the Upper Trope, our passage comes to include both the shortest and the longest verses in the entire Bible. In I Am That I Am Moses communes with God.
A heartfelt Sephoras Theme joins with the Devine Themes and Moses Theme in stirring interplay to bring the film to its conclusion. At 1:33 we flow into Fanfare Chariot Assembly Ready For Battle Fanfare Martial fanfare announces the assembly of his chariots, and as Ramses mounts his war chariot to lead his troops his now militarized theme joins fanfare bellicoso that is both powerful and dramatic. Bernstein supports the scene with a full-extended rendering of her lush and seductive Love Theme, countered by a fleeting muted statement of his theme. Try again. The Upper Trope reading is a fancier and more dramatic one, with a greater concentration of elaborate melodic patterns. "More than just the language poses a difficulty," explains Shiloah. ASIN The melodic flow is interrupted by brief statements of the Menace and Joshuas themes, which allude to coming conflict for her fate. The Exodus Theme serves as the animating identity of the liberation of the Hebrews from bondage. It reveals Moses being released into the desert to die. Notwithstanding the Torah's explicit designation of this revelation as the Aseret Haddibberot, the Ten Statements (or: Decalogue), the Lower Trope version divides up the divine message into twelve verses. Not happy with the content. For the nomadic Bedouin herders Bernstein created a simple but forthright melody with a 6/8 time signature articulated by woodwinds. In God Of Slaves Moses threatens Ramses with hail that burns atop the ground and then three days of darkness. Learn the story behind the ten laws that have been the guiding light of Judeo-Christian belief. They sing a simple song, acapella. A sounding of a Shofar horn by Joshua informs us of Moses return. More info, The preservation of the Duke University Libraries Digital Collections and the Duke Digital Repository programs are supported in part by the Lowell and Eileen Aptman Digital Preservation Fund. , ISBN-13 This is one beautiful piece! They are called ta'am elyon and This epic films preparation took five years, with the script alone requiring three years to write, and the actual filming taking two years. Lilias and Joshua Themes entwine as he faces death for striking an Egyptian. We segue at 1:01 into Moses The Builder Part 2 where once again we have interplay of Moses and the Imperial themes as Moses orders the setting of the massive obelisk. As the women attend Moses, Sephoras Theme joins with his theme in interplay, alluding to their nascent love. The emotional dynamics between Seti, Moses and Ramses is complex and Bernstein once again rises to the occasion by weaving a multiplicity of themes to carry the scenes narrative, including the Imperial, Moses, Divine, Menace, and Ramses themes. "So, too, were the chapters of Psalms for Shabbat, with each psalm having its own set of tones. The film was nominated for seven Academy Awards including Best Picture, Best Cinematography, Best Special Effects, Best Art Direction, Best Costume Design, Best Sound and Best Film Editing, winning one for Best Special Effects. As Moses staff strikes the Nile and begins the horrific transformation, swirling strings launch the Devine Theme 2 powerfully, which is joined by an equally powerful statement of Moses Theme. , Needs some rethinking, fact checking, and another round of editing, Reviewed in the United States on October 31, 2017, I was really looking forward to this one, but saw right away I was in for a bumpy ride when I noticed a misleading statement on the first page: the author explains that Moses led the people out of Egypt and, despite hardships, "everyone believed God would protect them and lead them to the Promised Land." I hope that it also helps to suggest the lasting truth of the films inspired message . Bernstein completes this complex scene with inspiring interplay of the two Divine Themes and Moses Theme as Joshua proclaims Moses deliverer. Chanukah Candles & International Date Line (Part 2). We open with classic heraldic fanfare, which launches a rousing rendering of the Exodus Theme. It offers a powerful and grand six-note horn laden declarative statement, which plays to demonstrate Gods authority, and divine might. The excerpts on this disk have waited a long time to be published, having been recorded by Shiloah 40 years ago, when the great cantors of Damascus first immigrated to Israel and sang to him from the depths of their souls. At 5:03 fanfare launches Exodus Part Two, which reveals Moses leading the Exodus out of Egypt. She begs him to restore her to her people but is rebuffed. At 2:47 we segue into The Red Sea 1 atop Joshuas Theme as the Hebrews are ordered to cross. A return to a devastated Ramses concludes the scene with a dark orchestral descent. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. ta'am tachton (lit. Change), You are commenting using your Twitter account. One would hope that his admonition was taken to heart, and that subsequent generations of cantors and Torah readers have been instilled with a more methodical mastery of their sacred craft. The Jewish communities throughout Europe and Asia have dwindled and disappeared, and their musical traditions would have become extinct, too, were it not for the valiant effort of a handful of people, musicians and researchers. Using your mobile phone camera - scan the code below and download the Kindle app. DeMille insisted on a timeless script and so hired a quartet of screenplay writers headed by Aeneas MacKenzie to accomplish the task. Their son is dead and Nefretiri again poisons Ramses heart, questions his kingship, and demands vengeance. (LogOut/ The film was and continues to be one of the most popular films of all time, and enduring favorite among audiences during the Easter Season. Automatic approval of subscriber comments. The fruits of this cultural endeavor are evident at the annual conferences on Jewish music which have been held by Jerusalem's Renanot Institute for Jewish Music for almost half a century now. At 1:44 the Nile Theme carries us as the ark is also carried by the Nile a splendid use of the theme. All of them have since passed away, but the music that was so important to them lives on: the melodies used to teach young children the alphabet and pronunciation of words, the special songs sung under the wedding canopy, on long winter nights of supplication, on Shabbat and festivals, and even songs in Arabic, attesting to the social and cultural relations with their surroundings. Among these were the tiple, finger cymbals, sistrum, lyre, lute, tam-tam, marimba, and most notably, the shofar (rams horn), which according to Hebraic tradition was the instrument that heralded the Exodus from Egypt thirty-three centuries ago. You can read about how doctors should use music in treating a patient, and when he should call in a musical expert to assist him.". Anyone who has read the Old Testament knows that Moses had a helluva lot of trouble with the Israelites, and there were various episodes of the people losing their faith, wanting to turn back Egypt etc. We are treated again to a parade of Bernsteins themes, with Joshuas and the Divine The 1 highlighted. Flash backs to the palace where Ramses and Nefretiri stew in a cauldron of pain and anger is supported by the Menace Theme. Soon the other themes join for a dramatic and inspiring passage including; Moses Theme, the Divine Theme 2 and the Imperial Theme. Film Score Reviews by Jonathan Broxton since 1997, Click to email a link to a friend (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Tumblr (Opens in new window), https://www.youtube.com/watch?v=07VQzw-t0Jw&list=PLBXBmZcJbX0xIXVABFiWeY2rbq3t-IFaB, THE TEN COMMANDMENTS Elmer Bernstein | MOVIE MUSIC UK, MISS PEREGRINES HOME FOR PECULIAR CHILDREN Mike Higham and MatthewMargeson, THOR: LOVE AND THUNDER Michael Giacchino and NamiMelumad, THE ADVENTURES OF MARK TWAIN MaxSteiner, HONEY, I BLEW UP THE KID BruceBroughton, STORMY WEATHER Cyril J. Mockridge and AlfredNewman, DISC ONE THE TEN COMMANDMENTS SCORE, PART 1, Slaughter of the Newborn/In the Bulrushes/Bithias Bathing Float (3:46), Nefretiri/Fanfares/Return of the Conqueror/Drums and Percussion/Fanfare (1:40), Fanfare/Moses and Nefretiri/New City Underway (4:00), The Advancing Keystone/Mercy and A Tomb of Rock (3:26), Moses the Builder Part 1/Fanfare/Moses the Builder Part 2 (1:52), Intro to Royal Barge/The Royal Barge (3:18), The Die Is Cast Part 1/The Die Is Cast Part 2 (5:23), Egyptian Border/Moses Crosses Desert (5:33), DISC TWO THE TEN COMMANDMENTS SCORE, PART 2, Overture Act 2 (Part A)/Overture Act 2 (Part B) (2:16), The Power of God Part 1/The Power of God Part 2 (4:08), Well of Strangers/Royal Barge (Revised)(2:23), Joshua and Lilia/The Shrine of the River Gods (1:49), Lilias Song/Lilias Song (Harp Chord) (0:27), Shofars/Exodus Part 1/Dathans House/Nubian Drums/Exodus Part 2 (7:31), A Hardened Heart/Fanfare/Chariot Assembly/Ready for Battle Fanfares (2:39), Pillar of Fire/The Red Sea Parts 1, 2 & 3 (7:40), DISC THREE THE TEN COMMANDMENTS SCORE, PART 3, Spoils of Egypt/Idolators (Bacchanali)/Forming of Golden Idol (0:49), The Finger of God/Golden Idol/Idol Sacrifice/Idolators (Bacchanali)/Bacchanal/Shofar (8:46), Exit Music Part 1/Exit Music Part 2 (5:16), Moses and Nefretiri (Alternate)/New City Underway (Alternate) (3:55), Bacchas Garden No. : It is a warm and tender line carried by strings and flutes. At 2:44 we scene shift back to the Exodus staging area and bear witness to a splendid rendering of the Exodus and Moses Themes. Seti is awed and asserts that this act of love earns Moses the crown, which sets Ramses against Moses. Music, however, is found in every global context: history, geography, chemistry, mathematics, astronomy. There are 0 reviews and 3 ratings from Japan, Your recently viewed items and featured recommendations, Select the department you want to search in. Moses has discovered his Hebrew heritage and dwells with them in Goshen to rediscover his roots. In Jethros Daughters Dance Jethro hosts a dinner party, where he hopes Moses will select one of his daughters to wed. Bernstein provides a small ensemble of ethnic instruments to provide festive and exotic dance music. "Cataloguers were not always skilled, and it was enough for them to see the word `music' in a manuscript for them to catalog it under that heading. : The Divine Theme 2 supports the wrath of God as we see fire and lightning smite the Hebrews that chose to abandon Moses and Gods covenant. This gives way to a beautiful statement of Sephoras Theme, with echoes of Nefretiris Theme, reflecting Moses conflict of breaking from the past and accepting new love. As you noted, most communities use it only on Shavuot, the Festival For this lengthy and complex cue we open with militaristic fanfare as Ramses arrives and prepares to begin his assault. Death In The Pits offers a fine interplay of themes. Nefretiris Theme (1:35), Moses Theme (2:47), Ramses Theme (3:19), Joshuas Theme (4:52), and the Tragedy Motif (5:09). To calculate the overall star rating and percentage breakdown by star, we dont use a simple average. After much thought, he found his answer, in his past. Link to song in the Frank C. Brown Collection of North Carolina Folklore: https://hdl.handle.net/2027/dul1.ark:/13960/t5bc4820s?urlappend=%3Bseq=234, North Carolina folk songs and stories from the golden age of field recording, 1914-1943, Some materials and descriptions may include offensive content. The Spirit of God Motif is a stirring ascending four-chord progression by refulgent strings spirituali and horns nobile, which often serves as a prelude to one of the Divine Themes. We bear witness to the travails of Moses struggling to survive the burning desert, which serves as a crucible from which God will first purify and then fashion his deliverer. I also must thank Douglass Fake and Roger Feigelson of Intrada for this amazing release. Bernstein supports the passage of the Angel of Death with the otherworldly sounds of a Novachord and the Theremin. Lilias Song offers her plaintive theme sung by her with a harp as she longs for death. Change). Song For Jethros Daughters reveals Jethros daughters tending to their sheep by his well. The Exodus Part Three cue crowns the passage splendidly, and we are treated to a wondrous celebratory rendering of the Exodus Theme alla marcia. In my judgment the grand magnificence of DeMilles crowning achievement owes its success by and large to Bernsteins epic score. Get email notification for articles from Noam Ben-Zeev, The Culture Clash That Produced Israeli Music, Haaretz Daily Newspaper Ltd. All Rights Reserved. : Among the manuscripts are ancient treatises and the topics range - church hymns, Jewish music and articles about it (by Israel Adler), theories on ancient Greek music and a list of the libraries worldwide that house such treasures. Slowly, yet inexorably Sephoras Theme gains a stirring romantic prominence as he at last realizes that he has found true love in Sephora. Easy read with pictures and understandable. For our supporting characters we have; Joshuas Theme offers a warm, major modal, six-note declarative statement of bold horns with string counters, which speak to his brashness and charisma. Her theme becomes mournful with a sad recognition of her fate as she consents. Key Stages: Key Stage 1, Key Stage 2, Key Stage 3, Key Stage 4, Key Stage 5, Topics: Ashkenazi, Synagogue, Ten Commandments, Torah. Other editions attempt to lessen the confusion by printing out the complete text twice, one for each of the respective cantillation systems. When I was 13, I met an emissary from Israel and wanted to return with him. Please try again. Album produced by Douglass Fake and Roger Feigelson. . Bernstein provides us with fine interplay of his themes for the potent scene.
For this reason, they have come to be designated as the Upper Trope and the Lower Trope. They are often large files. Lilias Theme, which serves as her identity and provides the scores second love theme. In The Finger Of God Golden Idol Idol Sacrifice Idolators Bacchanal Shofar we see Moses alone on Mount Sinai where God manifests as a pillar of fire from which He engraves one by one, the Ten Commandments. I consider it an essential score for your collection. It is the more lyrical, accessible, and religioso of the two, often born by strings solenne and woodwinds. It is a classic, lush love theme born by sumptuous strings in the finest traditions of the Golden Age, yet it also speaks to her femininity, allure, sensuality and seductive power. It is many years later and in Nefretiri Moses Theme born by heraldic fanfare opens the cue. At 0:25 we segue into Exodus Part 1, a magnificent score highlight where we are treated to a celebratory rendering of the Exodus Theme, in all its resplendent glory. Another subject that has always interested me is music as a key to understanding the world, the mutual relationship between music and life - and in the ancient world there was a deep connection between them.". We open with Shofar, which reveals the traditional shofar fanfare announcing the Exodus. The character and thematic interplay here is beautiful. "Dividing the Decalogue into Verses and Commandments." Their moment is supported musically by a small ensemble playing her theme, as well as gentile court music. Our payment security system encrypts your information during transmission. All rights reserved. At first Shiloah stayed in Kibbutz Afikim, but later moved to the Meir Shefaya Youth Aliya Village, where he studied independently until he began studying music and Arab language and literature at Hebrew University, after which he went to Paris, where he completed his doctorate and also specialized in medieval Jewish literature.
This is a British-style Ashkenazi recording. Often a transition to strings results in providing eloquence to its expression. Where Were the Seven Wonders of the Ancient World? It also suggests that you can believe in God and not the Bible. 2021 The Jewish Museum London. The music attempts to enhance the experience of actuality and to add to the atmosphere of authenticity. Religioso organ establishes solemnity, and as God fashions the tablets refulgent proclamations of both Divine themes attest to his authority and power. As she opens the ark in Moses she celebrates her new son as his theme plays with child-like gentility.