sports photography lens nikon

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One particularly useful setting built into the lens barrel includes two switches, one zoom lock that can hold the lens at any focal length, and a manual focus override for when more precise control is needed. Through the use of magnesium alloy components, the lens is both lightweight, at approximately 40 ounces, and extremely durable. wmu nikon

VC image stabilization helps to minimize camera shake while the rounded nine-blade diaphragm of the Tamron 70-200mm F/2.8 Di VC USD G2 contributes to an elegant bokeh quality. Jim Drake was very good at it. This L-series telephoto zoom has a bright f/2.8 constant maximum aperture and excellent optical image stabilization.

Price: $550. Check the current price and availability of the Nikon AF-S NIKKOR 200-400mm f/4G ED VR II at Amazon. While its widest apertures are slower, which keeps its price in the ballpark, its Hyper Sonic Motor (HSM) provides fast, quiet autofocus.

Check the current price and availability of the Tamron 70-200mm F/2.8 Di VC USD G2 at Amazon and B&H. Since 1997, Digital Photo is the premier how-to resource for photographers of all skill levels who want to make better images and get more out of their photo experiences. A rounded seven-blade diaphragm contributes to a pleasing bokeh quality, especially important when shooting at wider apertures. The Sigma 120-300 F2.8 DG OS HSM is the manufacturers first lens introduced into its Sports category. For example, if I put my AF-S NIKKOR 300mm F2.8G ED VR II lens on my full frame Nikon D850, the focal length will still be 300mm. Check the current price and availability of the Canon EF 70-200mm f/2.8L IS II USM at Amazon and B&H. But even with autofocus, its still about the photographer behind the lens.. What separated the big boys when I shot was eye-hand coordination. To take this one step further, a Micro Four Thirds format camera such as the Olympus OM-D E-M1 Mark II has a magnification crop factor of 2. While less light is coming through the lens into the camera, necessitating higher ISOs to maintain fast shutter speeds at times in excess of 1/1000th of a second, state-of-the-art sensors have allowed photographers to increase their cameras sensitivity without sacrificing an image to digital noise. Register your product, get tech support, or find authorized repairs. Nikon says this lens, For professionals seeking the ultimate super-telephoto zoom lens, the AF-S NIKKOR 200-400mm f/4G ED VR II delivers unrivaled speed, consistency, low-light performance and image quality in the most demanding situations. This quality comes with a price tag, but thats part of the balancing act that comes into play when shopping for high-quality glass.

This can be used to keep the focus of the viewer on the action rather than being pulled away by distracting elements in the background. He can track a player coming at him and have the whole damn play in focus. An internal focus mechanism contributes to faster, more responsive autofocus and easier handling since the lens will not change in length during use.

What separated the really top photographers from the second tier was that ability to focus a 600mm lens at a player running right at you or capturing a shot of a pass receiver just as the ball is coming into his fingers. But if I put that same lens on a crop sensor body such as a Nikon D500 with its crop factor of 1.5, the effective focal length will be 450mm. Its three low-dispersion glass elements are effectively positioned to eliminate aberrations that can occur with a telephoto lens. Check the current price and availability of the Tamron 100-400mm F/4.5-6.3 Di VC USD at Amazon and B&H. I was very good at it. So would Walter. Its Hyper Sonic Motor (HSM) gives a quiet, fast and accurate autofocusing while its Optical Stabilizer (OS) compensates for potential camera shake when shooting hand-held. Walter [Iooss] was the best Id ever seen at it. Check the current price and availability of the Olympus M.Zuiko ED 75-300mm f4.8-6.7 II at Amazon and B&H. Go anywhere with lenses engineered for dynamic capture and split-second timing. Sigma 120-300 F2.8 DG OS HSM. Updated September 22, 2021 Text & Photography By Mark Edward Harris Thanks for supporting Digital Photo.

The Fujinon XF100-400mmF4.5-5.6 R LM OIS WR has a 35mm full frame focal length equivalent of 152-609mm.

That was hard to do in the days of manual focus. When it comes to sports photography, since speed is the name of the game, pros turn to fast lenses. Here's how to pick the right lens. 2022 Madavor Media, LLC. Check the current price and availability of the Sigma 120-300 F2.8 DG OS HSM at Amazon and B&H. When combined with an Olympus OM-D or PEN series camera, image stabilization on the 15-ounce lens will open up a world of handheld, slow-shutter, possibilities. The Olympus M.Zuiko ED 75-300mm f4.8-6.7 II for its Micro Four Thirds cameras is a compact super-telephoto lens with a 35mm equivalent focal length of 150-600mm. That same lens on the full frame Canon EOS 5D Mark IV will keep it at its original 300mm focal length. Locate the nearest authorized repair center for your Cine lenses. Fujinon XF100-400mmF4.5-5.6 R LM OIS WR. Because of their price, these lenses tend to be the property of professional sports and wildlife photographers, photo agencies that lend out equipment to their photographers on assignment, and non-professionals with healthy savings accounts.

The dust- and splash-proof 150-600mm F5-6.3 DG OS HSM Sports lens offers professional-grade optics and an Optical Stabilizer (OS) that features an accelerometer for improved vertical and horizontal panning, particularly useful for motorsports photography. Olympus M.Zuiko ED 75-300mm f4.8-6.7 II. Get in touch with our US-based customer service team for quick, personal support. Youll sacrifice a bit of the bokeh and possibly have slower auto focus capabilities, but youll gain in savings and portability. Yet for those where money is an object, there are still plenty of lens choices that can keep you in the game at a reasonable cost. NikonAF-S NIKKOR 200-400mm f/4G ED VR II.

Check the current price and availability of the Sonys E 18-200mm F3.5-6.3 OSS at B&H. The 70-200mm zoom rangeis great for dugout portraits to nearby action on the field and is often the second lens professional sports photographers have at the ready after their big glass. As the focal length gets shorter and/or as the widest f/stop closes down, so does the price. But what constitutes a fast lens and why are they important? The dust- and splash-proof design of Sigmas Sports line lenses keep you in the action when working in inclement weather. Fast autofocus with a full-time manual focus override keep the photographer in constant control of the final image. Today, the cameras are so good that they take a lot of the hard work out of the equation.

Apertures can be opened to f/2.8 on 300mm and 400mm lenses and as wide as f/4 on 500mm and 600mm lenses. Notice that many will be attached to monopods because of their weight. Sign up for the latest photo news and tips for taking your images to the next level. Keep in mind that it might be more cost effective to rent a big piece of fast glass if you only occasionally find yourself on the sidelines of a sporting event, camera in hand. Digital Photo may earn a small commission if you buy something using one of the retail links in our articles.

Memory Recall can be especially useful in sports when certain actions can be predicted. For the best experience on our site, be sure to turn on Javascript in your browser.

I was pretty good at it.

The fast f/2.8 aperture is a constant all the way through the zoom from 120mm to 300mm, giving the sports photographer great coverage without giving up speed. Whats not lost is the ability to freeze the action. All rights reserved. Tamrons eBAND (Extended Bandwidth & Angular-Dependency) Coating prevents reflections that flatten out color. I asked him how he was able to manually focus on constantly moving subjects so quickly when covering football. The high-performance optical construction of 21 elements in 14 groups includes five ED lenses and one Super ED lens to help reduce chromatic aberration. Weighing a demure 3 pounds, the lens has been designed for handheld shooting with a 5.0-stop image stabilization system, which, when it detects panning, will automatically switch camera shake correction to the vertical plane only. The variable f/3.5-6.3 aperture keeps the lens relatively compact. John Beaver, who will be shooting his 50th straight Super Bowl, is phenomenal with his hand-eye coordination working with a 600mm lens. For the best experience on our site, be sure to turn on Javascript in your browser. The key when buying lenses for sports is to contemplate your need for speed, budget and how much weight and size youre willing to carry. One way to get more bang out of your lenses, when the rules of the game keep you at a distance from the action, is to attach them to an Advanced Photo System type-C (APS-C) camera body. This heavyweight in the professional photo world weighs in at a fit 118.5 ounces. The Canon EF 70-200mm f/2.8L IS II USM is a must-have lens in the camera bag for professional photographers covering sports using the Canon system. He said, Thats what separated the big boys from the rest of the pack. Website: cameras.olympus.com/en-us. The next time youre watching a professional outdoor sporting event, look at the sidelines or photographers pit, and youll see huge $5,000 to $13,000 lenses focusing in on the action. Its five ultra-low dispersion elements and one fluorite element reduce color fringing and chromatic aberrations while its Super Spectra coating reduces lens flare and ghosting. Sigma 150-600mm F5-6.3 DG OS HSM. Check the current price and availability of the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR at Amazon and B&H.

The lens features Optical SteadyShot image stabilization, one extra-low dispersion glass element to help reduce chromatic aberrations and color fringing, and four aspherical elements to reduce astigmatism, field curvature and other monochromatic aberrations. .aminst-wrapper-6553 .aminst-feed-posts{margin:-10px 0;max-width:1720px}.aminst-wrapper-6553 .aminst-feed-post{border-width:10px}, 2022 All Rights Reserved.Privacy Policy Terms of Use SIGMA Global. These cameras have smaller sensors than their full frame brethren, meaning that the lenses will have a magnification factor of typically 1.5 or 1.6. Sports photographers need to reach out and grab the shot. For instance, when covering a baseball game, you can pre-set the focus from the camera to second base in anticipation of a bang-bang double play, then cover another area of the field, then engage Memory Recall to quickly capture the action at second base without having to refocus. Present-day sports photographers have the luxury of fast autofocus lenses, something that one of the greatest photographers in the history of the genre, Neil Leifer, only has gotten to experience late in his career.

I used my Nikon D4 with my NIKKOR 300mm F2.8 lens set to 1/2000th of a second, f/4.5, ISO 200 to capture the action of a steer wrestling competition at the PRCA Rodeo during Cheyenne, Wyomings Frontier Days. Tamron 100-400mm F/4.5-6.3 Di VC USD. That means that its Olympus M. Zuiko Digital ED 300mm f4.0 IS Pro lens on that body will have an effective focal length of 600mm but will be much smaller and lighter than an actual 600mm f/4 lens.

There are four switches positioned on the rear of the lens barrel used to engage different focusing modes. Putting a Canon EF 300mm f/2.8 IS II USM lens on that body will make it in essence a 480mm lens. Digital Photo does not accept money for any editorial recommendations. The constant f/2.8 aperture allows for fast focus while its BBAR and eBAND lens coatings reduce ghosting and flare, the latter being a potential issue when working under stadium lights. Read more about our policy here. Get full access to articles, free contest entries and more! Tamron 70-200mm F/2.8 Di VC USD G2. 150-600mm F5-6.3 DG OS HSM | S + TC-1401 1.4x Teleconverter. Its MSC mechanism provides fast, silent focusing while its ZERO (Zuiko Extra-low Reflection Optical) lens coating controls issues such as excessive flare in backlight environments. JavaScript seems to be disabled in your browser.

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