As an Amazon Associate, I earn from qualifying purchases. The amount of a lens's peripheral shading directly offsets the advantage of its widest apertures. In Today's B&H Deal Zone: Manfrotto Element MII Video Monopod with Live Fluid Head and Stand Only $139.88 (Save $30.00), More! Having the AF capability makes this lens much more appealing because it can be used for more than just astrophotography or slow-moving subjects.

Its also harder to find ultra wide angle lens options for Sony APS-C cameras, for truly immersive astrophotography. Sharpness: Great! The main advantages of the Zeiss are its lightweight design, clean feel, and large aperture. Because night sky post-processing generally involves increasing contrast, uncorrected peripheral shading results in very dark corners. The widest focal lengths available are great for this pursuit.

While various tools are available to calculate the acceptable star trail-less shutter speed, I prefer to learn directly from my camera's results in the field.

I am a professional photographer born in the USA. // Aberration: Minimal // Vignette: Minimal, Weight:335g (12 oz) Size (Diameter x Length):81 x 78mm (3.2 x 3.1 in.) I couldnt tell if it was actually producing a darker image with the same exposure settings, or if the vignette just made it look darker. It indicates the exact focus distance as well as the nearest and farthest distance that the lens is in focus. Check out this article on astrophotography using a DSLR and a telescope. Do you guys have any experience with these lenses?

Disadvantages include some aberration issues, stronger than expected vignette, and maybe a slightly lower light transmission than other lenses at the same settings. Thanks for subscribing! Alright, guys, so that concludes all the lenses we will talk about today in this article.

For example, 14mm is half of 28mm, and the 2x longer exposure available at 14mm equates to a full stop of aperture or noise within the tolerable exposure duration. I find the sweet spot to be about f/2.

You can find our unbiased reviews here on Bestoflens. Marc and Brenda Bergreen are photographers based in the Rocky Mountains.

However, the fastest lenses suited for this purpose open to f/1.4, letting in 4x as much light as the f/2.8 options. Back to the lens selection. All of these lenses are great options, but the Tokina FiRIN 20mm really fit my style of shooting. Having a max aperture of f/2.8 is a bit limiting when it comes to astrophotography, but you can compensate for this with a good high ISO full frame camera like the Sony A7III. My wedding photography style has been heavily influenced by my landscape and adventure photography.

The amount of action in the night sky is also dependent on the focal length selected. This lens balances nicely when paired with the Sony A7III and has a sturdy feel. Still, I never grow tired of seeing it and will schedule photo trips to see it at other locations. The idea for Bestoflens.com is to provide honest information about different Lenses products in the format of a Best lenses for AYZ list. Consequently, Ive been looking for a lens that would be versatile enough to use during the day as well as to photograph the stars at night. Since wide-angle focal lengths take in a wide area of the sky, the stars appearing to move the fastest generally need to be accounted for. Selecting the optimal focal length is usually the first step in choosing a lens for any purpose, and it is for this one. However, you have to nail the focus exactly to retain sharpness. I want this website to be the last destination for people to pick the best lenses to fit their needs. I like to give myself just a little more flexibility and shoot at f/2. I'll talk more about this issue in the next section. Bestoflens is supported by its audience.

The barrel diameter, at 81mm, is quite large compared to the 78mm length, giving this lens a strange look, although it balances well on the Sony A7III. Higher density means motion is going to cross pixels more rapidly. It feels quite lightweight for the quality, which is typical with full frame Sony lens options Sony FE camera lenses are often marginally lighter than other manufacturer equivalents. Some of the widest-angle lenses have bulbous front elements that preclude front filter use.

However, dancing northern lights can move fast, meaning a substantially shorter exposure is required to avoid smearing of the light. This compact lens is reasonably priced, especially for its performance. It felt smooth to operate but did make a slight rubbing noise when rotated.

A rectilinear 14mm lens is the max I would consider. If you want to go wider than 16mm, the only other option is the Sony 14mm f/1.8 which is a great lens but doesnt offer the flexibility of the 16-35mm zoom. Thus, the same attributes needed by a Milky Way lens are needed for photographing the aurora borealis.

Rendering them true to life in a photograph requires a corner-to-corner sharp lens. The up to 1-stop difference in aperture or ISO setting is considerable. Learn more. Order today before supplies last do not miss out on this fantastic deal!

When you get above 24mm, it can become more difficult to shoot at longer shutter speeds because you start to get motion blur in the stars due to the rotation of the earth. While this lens's focal length range is not as dramatic as the Sony equivalent, the cost is not as dramatic either. Even with the widest apertures available, the necessary ISO settings for Milky Way photography are very high, and noise is a significant nightscape image quality factor. Overall, Id rank this number three out of the four lenses reviewed in this post. Visit the Sony Lens Recommendations page for more lens advice. Extremely wide focal lengths are great for getting a full view of the night sky. Keeping a foreground and the stars sharp (without focus bracketing) is easier with a wider-angle focal length. After reviewing a long list of options for the best lens for astrophotography, I refined my search and tested these four lenses: If youre in a hurry, skip to the bottom to see my conclusion about which one is best!

Viewing the entire image on a mobile phone will hide star trails far better than a 100% resolution view on a large monitor. The lens lets me capture my galactic memories with sharp, focused stellar images! This can be done tastefully, but my preference is for a wide angle lens shot with tack-sharp stars. Its ultra-wide angle of view and superb construction make it the best astrophotography lens for Sony full-frame cameras for shooting brilliant photographs of the night sky. The Sony lens lineup has been slowly growing over time, in addition to the numerous off-brand lenses or lenses adapted from DSLRs. Don't expect absolute perfection from any of them the perfect lens does not exist. It has a time-tested construction that is superbly durable and guarantees crystal clear shots without distortion at any focal length!

(See other lenses that work well with Sony a7 series cameras here.). Sony's Best Ultra-Wide Zoom Lens, G Master Build.

The final output size must be considered.

Overall this lens has some excellent features and is my first choice of the four lenses I tested.

Secondly: Its an ultra-wide-angle optic on my Sony mirrorless camera, producing a significant bokeh effect when close-ups are shot. What are your thoughts on them? When you are up to astrophotography, then the lens gives you better results. The only main compromise with the Sony FE 16-35mm f/2.8 GM is its larger size/weight.

Here is a selection of nightscape pictures to inspire your interest. While this lens's 24mm focal length may not be eye-opening and may already be covered in your general-purpose zoom lens, the f/1.4 aperture should garner your attention. The 20's aperture is 2/3-stop narrower, and its price is about 2/3 as much making it a bargain. While an ultra-wide-angle f/4 lens can work, f/2.8 is a better minimum max aperture. Is there a lens that I didnt mention in this article that you love to use for astrophotography photography? Still, a mount such as the Sky-Watcher Star Adventurer Pro can be extremely advantageous for general nightscape photography. This site receives, The Best Sony Astrophotography Lens for 2022, Canon EOS R3 Firmware Update Version 1.2.0 Released, Canon EOS R6 Firmware Update Version 1.6.0 Released, Canon EOS R5 Firmware Update Version 1.6.0 Released, Also In Stock: Refurbished RF 100-500mm F4.5-7.1 L IS USM Lens at Canon USA, Refurbished Canon RF 28-70mm F2 L USM Lens In Stock at Canon USA, Act Fast: One Canon EOS R3 is In Stock at Amazon. As I write this recommendation, I consider the Sony FE 24mm f/1.4 GM Lens my ultimate astrophotography lens.

The lens correction in Lightroom is not able to fully overcome this, making it a problem that is a bit frustrating for such a high-end lens. Amazon, the Amazon logo, Amazonsupply, and the Amazonsupply logo are trademarks of Amazon.com, INC., or its affiliates.

Stars are tiny and sharp. In terms of build quality, this lens is top notch. However, it can get more difficult to get an interesting composition because they reduce the emphasis on the foreground. Ive found the most effective are the native Sony e mount lens options, with the third-party lens manufacturers (such as Sigma, Tokina and Tamron) coming in at a close second. A quick assessment revealed some autofocus lag.

The title image for this page is a 12mm capture.

This lens has been around for a while and offers a nice balance of low aperture and lightweight design. The 24mm focal length is very commonly used, and the image quality this lens creates is outstanding. It has the quality Im looking for while still being less than $1,000. A mount with 1/2 speed rotation up to doubles the acceptable exposure duration by splitting the motion between the foreground and the sky.

However, a longer focal length expands the width of the Milky Way in the frame, resulting in a higher percentage of the frame filled with Milky Way. Outstanding Image Quality, Ultra-Wide Angles of View, Relatively Affordable, Beautifully Designed. However, 14mm, 20mm, and 24mm lenses are usually in my Milky Way pack, and long exposures provide time to operate two camera setups simultaneously. While the stars appear to be motionless, the required exposures are so long that the earth's rotation promotes night sky photography into a form of action photography. Distortion can be a problem with super wide-angle lenses.

Overall, Id rank this lens number two out of the four lenses in this post. I shoot galaxies, moonscapes, constellations, and other wonders across space with the lens! It seems to be the best balance of size, weight, quality, function, and cost.

Ultra-wide-angle or wide-angle focal length, Corner-to-corner tack-sharp wide-open image quality. I live under a moderately dark sky and get to see this incredible sight regularly. Few subjects are as spectacular as this one. There is little this lens lacks aside from switches. Sharpness: Average (aberration could be affecting my perception of sharpness) // Aberration: Some // Vignette: Strong, Weight:464g (1 lb) Size (Diameter x Length):73 x 81mm (2.9 x 3.2 in.) With f/2.8 available, this Sony lens is a great choice for photographing the night sky, along with low light events. After switching camera systems, Ive been seeking out the best Sony lenses for astrophotography for my Sony A7III. Based on my experience testing these four lenses, Ill be adding the Tokina FiRIN 20mm f/2 lens to my kit. The best choice based on size, weight, quality, function and cost, this lens offers great image quality and edge to edge sharpness. The first three lenses are usually in my bag when chasing the Milky Way. Unlike zoom lens, which only provides a limited range to explore your creativity. Something went wrong. Filter Diameter:82mm Minimum Focus Distance:0.28m (11). Also factoring into the exposure consideration is the pixel density of the imaging sensor. Overall, this was my least favorite lens of the ones in this review for night photography. Enter your email to be sent today's Welcome Gift: 19 Photography Tools. The Sony FE 20mm f/1.8 G Lens is like a smaller version of the Sony FE 24mm f/1.4 GM Lens. I also felt that the 24mm focal length of this lens is on the long side for astrophotography, especially when trying to capture the vastness of the milky way.

Delivering natural, clear images with sharp detail, I love. While many lenses are sharp when stopped down a couple of stops, requiring that attribute from an ultra-wide aperture raises the bar significantly. Partially right. At f/2, the edges appeared about one stop darker than the middle of the frame. Bestoflens.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Primarily, we are referring to light pollution filters as blocking any other light is detrimental to night sky photography.

Sony A7III + Zeiss Batis 25mm f/2 | 15sec at f/2.0 ISO 6400. (On an APS-C body like the Sony a6400 (review), youd definitely need to use a lower ISO and steady your shot with a tripod.). Ive often found that you get what you pay for with lenses, and that appears to be true with this Sony FE lens, which is perfect for astrophotography.

Additionally, I liked the sturdy feel of this lens. There are a lot of different types of aberration but for this review of the best Sony lens for astrophotography, I kept it simple and summarized each lens with a general assessment: good or bad. Shotkit may earn a commission on affiliate links. The focusing ring rotates during AF, but the focuses lock shot can be manually overridden by rotating after locking autofocus when the focus gets close to achieving the initial desired. The AF version is optically the same as the MF design and produces a very high-quality image. It has a moisture-sealed design that works great (from my experience using it in total downpour conditions). Its the eighth lens in the G-Master series and is supposed to be the highest quality of the lenses Sony makes. Im not sure I find this all that useful but it could be interesting to have a more analog feel when using it. All my astrophotography is done using manual focus, but having autofocus makes the lens much more versatile for everyday shooting. My images usually show a slight star trail at 100% view. Weight:680g (1.5 lb) Size (Diameter x Length):89 x 122mm (3.5 x 4.8 in.) The Sigma 14-24mm f/2.8 DG DN Art Lens impresses with the image quality it delivers, the build and aesthetic qualities are excellent, and AF is fast and quiet. The Batis series also has a digital display, showing the hyper-focal distance on the lens itself. I have been in this field of photography for 22 years now, and in these years, I used many photography lenses, which I want to share here on this website about my experience of it. While nearly any wide angle of view can be used for nightscapes, I seldom use a focal length longer than 24mm and rarely go longer than 35mm (full-frame angle of view reference). I love to shoot the night sky, especially with a wedding couple. Therefore, correcting most or all of the vignetting during RAW image processing is recommended, and increased noise in the image periphery is the end result. It has the flexibility to shoot super wide and also zoom in for a tighter perspective, making it the most versatile lens in this review. I asked the question because most people (about 80% of Americans) cannot see the milky way from their homes, and a surprisingly high percentage have never seen this phenomenal sight. Auto focus is also very fast, silent, and smooth with a manual focus override available at any time (it almost always nails the focus so I dont use this feature). Id love to hear your opinion in the comments if you came to a different conclusion or have another suggestion of the best lens for astrophotography on a Sony mirrorless camera.

This lens should be in your kit if weddings and other indoor events are on your to-do list. The longer the focal length, the more the stars are magnified, the faster the camera's movement causes them to cross over pixel wells (the source of motion blur), and the shorter the tolerable exposure durations become.

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